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A Chinese classic · the Zhouyi, late 9th century BCE; the birth cast, Ming

I Ching birth hexagram

the Book of Changes, by the Plum Blossom time method

A hexagram for your birth from the Book of Changes, cast from the lunar date and hour, with the line that moves and the figure it becomes.

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Your I Ching birth hexagram is one of the 64 figures of the Book of Changes: born on 19 January 1989, the sample person has 20, 觀 Guān, Looking Out, with its fourth line moving, so that it becomes 12, 否 Pǐ, Blockage, with the book's text in Legge's 1882 translation.

The hexagrams are the Zhouyi's, of the late 9th century BCE; the birth cast is the Plum Blossom method's time rule, a Ming-period text attributed to Shao Yong (1011 to 1077), applied to the lunar date and hour.

  1. Birth hexagram

    Birth hexagram: 20 觀 Guān, Looking Out; lines from the bottom: broken, broken, broken, broken, whole, whole; line 4 is the moving line.

    20 觀 Guān

    Looking Out

  2. Becomes

    Becomes: 12 否 Pǐ, Blockage; lines from the bottom: broken, broken, broken, whole, whole, whole.

    12 否 Pǐ

    Blockage

  3. Within

    Within: 23 剝 Bō, Stripping Away; lines from the bottom: broken, broken, broken, broken, broken, whole.

    23 剝 Bō

    Stripping Away

Lunar date and hour
戊辰 year (Dragon), 臘月 十二, 戌 hour (19:17)
Moving line (circled)
Line 4, 六四
The sums
5 + 12 + 12 = 29 → upper 巽; + 11 = 40 → lower 坤; 40 on 6 → line 4
Cross-reference: the Sun's gate in Human Design
60 節 Jié, Measure
Figure 1. The birth hexagram of a fictional person born on 19 January 1989 at 19:17 in Ann Arbor, Michigan: 20 觀 Guān, Looking Out, with its fourth line moving, so that it becomes 12 否 Pǐ, Blockage; within it lies 23 剝 Bō, Stripping Away. The last line names the hexagram the Sun stood in on the Human Design wheel, another system's reading of the same birth. Method: the Plum Blossom time rule (梅花易數, book 1) on the lunar date: a 辰 year (5), the twelfth month, day 12, the 戌 hour (11); 5 + 12 + 12 = 29, remainder 5 on 8, 巽 above; 29 + 11 = 40, remainder 0, counted as 8, 坤 below; 40 on 6 leaves 4, the fourth line moves.
On this page
  1. How it works
  2. Origins and history
  3. The 64 hexagrams
  4. Variants and what we leave out
  5. Myths and disputed claims
  6. Stories and lore
  7. Evidence and criticism
  8. Terms
  9. Sample reading
  10. Sources

How it works

The Zhouyi is a book for divination: a person casts a hexagram, traditionally with yarrow stalks or, from the Tang dynasty on, with three coins, and reads its text. The Plum Blossom method takes its numbers from things instead, and one of its rules takes them from the moment itself: the year, the month, the day and the hour. Chinese calculators apply that rule to the moment of a birth and call the result the lifetime cast (終身卦); the book does not use that name, and the Zhouyi has no birth hexagram of its own. This is the cast EsoTerrier computes.

A woodblock-printed page headed 伏羲八卦次序. Under the numerals 一 to 八, written right to left, a row of eight boxes names the trigrams 乾 兌 離 震 巽 坎 艮 坤; below it two rows of black and white blocks split each pair and each half, marked 陽 and 陰, down to 太極 at the foot.
Figure 2. The order of the eight trigrams, 乾 1 to 坤 8, from the diagrams Zhu Xi printed at the front of his commentary of 1188, here in a Qing palace edition: each step splits every line into a yang and a yin half, from the Supreme Ultimate at the foot. These are the numbers the Plum Blossom method counts by. Qing palace edition, 1662 to 1735. Harvard-Yenching Library, Public Domain Mark 1.0.

The rule. Book 1 of the Plum Blossom text says: "年月日為上卦。年月日加時總數為下卦 ... 以八除之 ... 以六除,餘數作動爻". In our translation: the year, month and day make the upper trigram; the year, month and day with the hour added, as one total, make the lower trigram; each is divided by eight; the total is divided by six, and what remains is the moving line. A remainder of 0 counts as 8, or as 6 for the line. The trigrams are numbered in the Earlier Heaven order: 乾 1, 兌 2, 離 3, 震 4, 巽 5, 坎 6, 艮 7, 坤 8.

The numbers come from the lunar calendar. Your birth date is converted to the Chinese lunar calendar. The year counts as its Earthly Branch, from 子 1 to 亥 12, and turns at the lunar new year; the month is the lunar month, a leap month counting as the month it repeats; the day is the lunar day, 1 to 30. The hour is the double hour, from 子 1 (23:00 to 00:59) to 亥 12 (21:00 to 22:59), taken from the local clock time with no correction for the zone or the sun. A birth between 23:00 and 23:59 counts as the 子 hour of the same lunar day, as every Plum Blossom tool counts it. If you do not know your birth time, the noon hour 午 (7) is assumed and the result is marked approximate: the upper trigram does not depend on the hour, but the lower trigram and the moving line do.

A worked example. The sample person in Figure 1 was born on 19 January 1989 at 19:17. On the lunar calendar that is the twelfth day of the twelfth month of a 辰 year, in the 戌 hour. The year counts 5, the month 12, the day 12: 29, which leaves 5 on 8, so 巽 Wind is above. Adding the hour, 11, makes 40, which leaves 0, counted as 8, so 坤 Earth is below. 40 on 6 leaves 4. The birth hexagram is 20 觀 Guān with its fourth line moving; flipping that line gives 12 否 Pǐ, and lines 2 to 5 give the hexagram within, 23 剝 Bō.

What you see. Each hexagram is named by its number, its character, its pinyin with tone marks, and our own English title: "20 觀 Guān · Looking Out". The moving line is read as the one place in the figure that is in motion, and the transformed hexagram as where that motion leads. The texts are our own, written from the Chinese with Legge's public-domain translation of 1882 beside it. The trigrams are shown with their image and family place from the Shuogua, one of the Wings, and with the five phases from the Plum Blossom text's own table, labelled as that table's: a Han assignment, not the Zhouyi's. One further line names the hexagram the Sun stood in at birth on the Human Design wheel, a modern placing of the sixty-four round the zodiac. It is another system's reading, shown as a cross-reference and never as the birth hexagram.

Checked against others. The rule's inputs were checked on 56 timed test births against two calendar libraries, one open-source implementation and the calculators that use the same conventions: they agree on every one. A run over every day from 1940 to 2030 found that our first engine, which summed Gregorian dates, gave the right hexagram for only 13.2 percent of birth hours; it was replaced on 10 October 2026.

Origins and history

The text is about 2,800 years old; the commentaries are centuries younger; the birth cast comes from a book of the Ming period.

When Who What happened
Late 9th century BCE Anonymous Zhou diviners The 64 hexagram statements and 386 line statements of the Zhouyi compiled, as a divination record. Shaughnessy dates the compilation to the early reign of King Xuan (about 827 to 782 BCE). Tradition names Fuxi, King Wen and the Duke of Zhou as its authors.
About 300 BCE A copyist in the state of Chu The bamboo strips now in the Shanghai Museum: 58 strips, about a third of the text, already stable, with red and black marks no one has explained; bought in 1994 and first read in 2005.
About 300 to 150 BCE Unknown Confucian authors The Ten Wings written; the Xici, the Great Treatise, about 300 BCE.
168 BCE Mawangdui tomb 3, Changsha A silk copy, found in 1973: the hexagrams in another order built from the trigrams, several names in other characters, and four commentaries otherwise unknown.
165 BCE Xiahou Zao, Fuyang 752 fragments of a copy whose line statements carry stock divination formulas.
136 BCE Emperor Wu of Han The Changes made one of the Five Classics, the Wings bound to the text.
About 91 BCE Sima Qian The Shiji tells of King Wen at Youli and of Confucius reading the book until its bindings broke.
1st century BCE Meng Xi and Jing Fang Calendars that tie the hexagrams to the months and days of the year; the text under Jing Fang's name gives each trigram one of the five phases.
About 100 CE Ban Gu The Hanshu fixes the orthodoxy of three sages in three ages: Fuxi the trigrams, King Wen the hexagrams and their text, Confucius the Wings.
226 to 249 Wang Bi The commentary that fixed the received text and its reading by meaning and principle.
Tang dynasty Diviners Casting with three coins comes into wide use.
About 1050 Ouyang Xiu Writes that the Xici and the other Wings are not Confucius' work.
1011 to 1077 Shao Yong The Earlier Heaven sequences and the circle and square of the sixty-four, the order binary counting also gives; his school traced them to the Daoist Chen Tuan (died 989). The Song History's life of him lists no Plum Blossom book.
1188 Zhu Xi The Zhouyi benyi opens with the diagrams, labelled as Fuxi's: their first printing.
Ming, by the mid-16th century Unknown compilers The 梅花易數 compiled under Shao Yong's name. It repeats Zhu Xi's trigram verse, carries a preface dated 寶慶四年, a year the Baoqing era never reached, and names the Ming minister Liu Bowen among its transmitters; Ji Ben (1485 to 1563) is the first author known to mention it.
1632 (preface) Shi Yingxuan, editor The 河洛理數 printed: another birth hexagram, built from the eight characters of a birth, attributed to Chen Tuan and Shao Yong.
1701 to 1703 Joachim Bouvet and G. W. Leibniz Leibniz explains binary numbers to Bouvet in February 1701; Bouvet sends Shao Yong's circle and square from Beijing that November; it reaches Leibniz in April 1703, and he publishes his paper on binary arithmetic.
1782 The imperial catalogue No entry for the Plum Blossom text; it repeats a complaint that fortune-tellers forge number books in Shao Yong's name.
1882 James Legge The Yî King, Sacred Books of the East XVI: the English translation we quote.
1924 Richard Wilhelm, with Lao Naixuan I Ging, Jena: the German translation, public domain since 2001.
1949 to 1950 Cary F. Baynes; C. G. Jung Wilhelm's translation in English, with Jung's foreword; in copyright.
1976 and 1979 Chu and Sherrill; Da Liu The Astrology of I Ching, a translation of the 河洛理數, and I Ching Numerology, an early English book on the Plum Blossom method.
1983 and 1985 Shaughnessy; Kunst Dissertations that read the Zhouyi in its Western Zhou setting: the modern scholarly view begins.
1987 to 1989 Ra Uru Hu Human Design sets the hexagrams round the zodiac, hexagram 41 from 2° Aquarius: Shao Yong's circle, rotated.
1996 to 2014 Shaughnessy, Rutt, Smith, Redmond and Hon Translations of the Mawangdui text and of the Zhouyi as a Bronze Age document, histories of the book, the Shanghai strips.
2026 EsoTerrier The engine rebuilt on the lunar date the method requires.
A woodblock-printed double page. Across the two leaves a ring of sixty-four hexagrams, each a stack of six solid or broken lines with its name beside it, runs round a square block of the same sixty-four set in eight rows of eight; the hexagram of six solid lines, 乾, stands at the top of the ring next to 姤. The title 伏羲六十四卦方位 is split between the two leaves.
Figure 3. The sixty-four hexagrams in a circle and a square, from the same edition of Zhu Xi's diagrams. The arrangement is Shao Yong's, of the 11th century; the Song school credited it to Fuxi. Read with yin as 0 and yang as 1 it counts from 0 to 63, which is what Leibniz noticed in 1703. Qing palace edition, 1662 to 1735. Harvard-Yenching Library, Public Domain Mark 1.0.

The order in which these ideas arrived matters for what the birth hexagram is. The hexagrams and their texts are old; the moral and cosmic reading of them came with the Wings; the numbered trigrams and the circle are Shao Yong's; and the rule that turns a date into a hexagram is in a book compiled four centuries after him and given his name. The Plum Blossom book itself applies the time rule to animals as well as to questions; Chinese calculators made the lifetime cast from it, and Western birth-hexagram tools followed.

The 64 hexagrams

Each hexagram has its own page: its figure and trigrams, the Zhouyi's statement for it with a short quotation from Legge, how the line texts move, the hexagrams it is linked to, and what the birth cast does with it. The received text falls into two parts, hexagrams 1 to 30 and 31 to 64.

The first part of the text (上經): hexagrams 1 to 30

The second part (下經): hexagrams 31 to 64

Variants and what we leave out

The time rule is applied in more than one way, and the I Ching has other birth hexagrams. We describe them so you can recognise them, and say what we do.

  • Gregorian dates. Our first engine summed the Gregorian month and day, as some tools still do; no book teaches it, and it agrees with the lunar rule about one time in eight. Replaced. One calculator's separate "solar" mode sums the full year number; recorded, not offered.
  • The year at the start of spring. Some calculators turn the year at Lì Chūn, about 4 February, as BaZi does; the rule as printed and most tools turn it at the lunar new year. The two differ only for births in the weeks between. We use the lunar new year, which matches the lunar month and day.
  • The year's stem instead of its branch. One author's variant for the lifetime cast; the text and every calculator use the branch.
  • No birth time. The Chinese tools refuse; one Western tool assumes noon and says so, as we do. Our first engine used an invented formula without the hour; it is gone.
  • The rest of the Plum Blossom book. It also casts from a number of objects, a sound, a written character or a direction, and reads a cast by setting the two trigrams against each other as 體 (the body, the trigram without the moving line) and 用 (its use, the trigram with it), through the five phases. Those belong to a consultation, a question asked at a moment, and we do not compute them.
  • Yarrow stalks and coins. The classical oracle casts each line, so a hexagram can have anywhere from none to six moving lines, and the two methods give the line kinds different odds. The time cast always gives exactly one. A cast you make yourself would be a different feature.
  • The 河洛理數 birth hexagram. A late Ming manual turns the eight characters of a birth into River Chart and Luo Writing numbers and builds two trigrams from them, by the year's polarity and the person's sex, and reads the lines as periods of life. It needs the BaZi pillars and a sex, and we do not offer it; it is one reason we never present the lifetime cast as the only Chinese birth hexagram.
  • Six-line divination. Jing Fang's school assigns stems, branches and family roles to the lines, the method most Chinese divination software runs; an expert layer we do not show.
  • The solar-degree hexagram. Human Design (1987) and Gene Keys take the hexagram the Sun stood in on a wheel that is Shao Yong's circle turned to start hexagram 41 at 2° Aquarius. Our chart names it in one labelled line.
  • The Han calendars. Twelve "sovereign" hexagrams mark the lunar months, from 復 (24) at the winter solstice to 乾 (1) and from 姤 (44) to 坤 (2); a table of sixty marks the days. They give a hexagram of a month or day, not of a person. Each hexagram page names its month where it has one.
  • Other "birth hexagram" calculators. Four-pillar schemes, odd and even sums of the stems and branches, numerology on the digits of the date: recorded in our research, not used.
  • The Mawangdui order and names. Scholarship, not a display option: we use the received numbers and characters, as every tradition does.

Myths and disputed claims

What is said about the I Ching and the birth hexagram, who says it, and what the record shows. The label is ours.

  • A birth hexagram is a classical practice of the I Ching, three thousand years old.

    false

    Who says it: Western birth-hexagram calculators, the old page writer's file, and our own first public page.

    What the record shows: Neither the Zhouyi nor the Ten Wings nor the Han and Song commentaries defines one. Birth hexagrams come from late imperial manuals: the Plum Blossom text's time rule, applied by calculators to people, and the 河洛理數 of 1632. So we name the method and its date, and do not present it as the only one.

  • The hexagrams are humanity's oldest binary code, and Leibniz confirmed it in 1703.

    false

    Who says it: Popular pages, the old page writer's file and our first public page.

    What the record shows: Leibniz had worked out binary arithmetic by 1679. What Bouvet sent him in 1701 was Shao Yong's 11th-century arrangement, which does count from 0 to 63; the Zhouyi's own order does not. Whether the arrangement is binary at all is still argued (Ryan 1996, Maitre 2025), and modern computing does not descend from it.

  • The Earlier Heaven arrangement of the trigrams and hexagrams is ancient and comes from Fuxi.

    false

    Who says it: The Song diagram tradition itself, which labelled the diagrams Fuxi's, and most popular pages.

    What the record shows: It first appears with Shao Yong in the 11th century; his school traced it to the Daoist Chen Tuan (died 989), and Zhu Xi printed it in 1188. No earlier source has it.

  • Fuxi drew the eight trigrams after looking up at the sky and down at the earth.

    told as lore

    Who says it: The Xici, the Hanshu and every traditional account.

    What the record shows: A founding story, first written in the Xici in the Warring States period. Fuxi is a culture hero; nothing about the trigrams can be dated to him.

  • King Wen wrote the hexagram texts in prison at Youli, and his son the Duke of Zhou wrote the line texts.

    told as lore

    Who says it: Sima Qian's Shiji (about 91 BCE), then the orthodox tradition from the Han on.

    What the record shows: The Shiji says only that King Wen 'is said to have' expanded the eight trigrams to sixty-four. The four-author scheme is Han. Scholars date the text to the late 9th century BCE, more than a century after him.

  • Confucius wrote the Ten Wings.

    false

    Who says it: The Shiji, the Hanshu and imperial orthodoxy until the Qing.

    What the record shows: Ouyang Xiu wrote about 1050 that the Xici and the rest are 'not the sage's work, and not one person's words'. Modern scholarship dates the Wings from the Warring States to the early Han, by unknown hands.

  • The received order of the hexagrams was fixed by King Wen and is the book's original order.

    told as lore

    Who says it: The tradition, and the order's own name.

    What the record shows: Its age and author are unknown. The Mawangdui silk copy of 168 BCE uses a different order built from the trigrams. We number by it because every tradition does.

  • The I Ching is over three thousand years old.

    disputed

    Who says it: Most popular pages and our old page.

    What the record shows: The hexagram and line texts are dated to the last quarter of the 9th century BCE, about 2,800 years ago. Older roots are inferred, not documented.

  • Shao Yong invented the Plum Blossom method after watching two sparrows fight on a plum branch.

    told as lore

    Who says it: The book's own opening story, our first public page and most sites on the method.

    What the record shows: The story is the book's. The book repeats a verse from Zhu Xi (1188), carries a preface dated to a year that never existed and names a Ming minister among its transmitters; the first author to mention it lived from 1485 to 1563. The method is attributed to Shao Yong.

  • Shao Yong was the sole proponent of the image-and-number school.

    false

    Who says it: The old page writer's file and our first public page.

    What the record shows: The school runs from the Han (Meng Xi, Jing Fang) through Chen Tuan and Zhou Dunyi to Zhu Xi. Shao Yong was its most famous Song exponent, not its only one.

  • The birth hexagram is a personality blueprint, and the hexagram it becomes is where a person is evolving to.

    unverified

    Who says it: The old page writer's file, our first public page and Western birth-hexagram sites.

    What the record shows: A modern reading with no source in the tradition and no evidence. We present the hexagram in the book's own terms: a situation, its moving line, what it becomes.

  • The lower trigram is the subconscious and the upper the conscious self.

    unverified

    Who says it: The old page writer's file and our old page.

    What the record shows: The Wings do call the lower trigram inner and the upper outer. The psychology is modern and unsourced; we keep inner and outer and drop it.

  • The time method makes casting with coins or yarrow stalks obsolete.

    false

    Who says it: The old page writer's file and our first public page.

    What the record shows: Casting remains the tradition's main practice. The Plum Blossom method is one later school, and its own book also casts from objects, sounds and written characters.

  • The oracle works by synchronicity.

    unverified

    Who says it: C. G. Jung's foreword to the English Wilhelm translation (1949), and most Western introductions since.

    What the record shows: A hypothesis Jung offered in place of causality. No test of it exists; we say that he proposed it, and no more.

  • The sixty-four hexagrams correspond to the sixty-four codons of DNA.

    unverified

    Who says it: Martin Schönberger (1973) and many web pages.

    What the record shows: Both sets have sixty-four members because both are built from a small alphabet in groups. Nothing beyond the count has been shown to match.

  • The ring of hexagrams round the zodiac used by Human Design is a traditional I Ching teaching.

    false

    Who says it: 'I Ching astrology' sites that show the wheel without its origin.

    What the record shows: It is Shao Yong's circle, rotated by Ra Uru Hu in 1987 to 1989 so that hexagram 41 starts at 2° Aquarius. No Chinese source we found puts the hexagrams on degrees of the zodiac.

  • The sixty-four English titles of the Wilhelm/Baynes translation are free to use as a set.

    disputed

    Who says it: Common practice among I Ching apps and sites, and our own engine before October 2026.

    What the record shows: A single title is a short phrase, but the set belongs to a translation registered in 1950 and renewed in 1977. We use our own titles, of which some plain ones coincide with theirs, and name theirs only one at a time, labelled.

  • Our calculation applied true solar time and gave the exact six-bit string of a birth with zero margin for error.

    false

    Who says it: EsoTerrier's own page before 10 October 2026.

    What the record shows: No solar-time correction was ever applied, and the engine then summed Gregorian numbers, which gave the wrong hexagram for about nine births in ten. It now uses the lunar date the method requires.

Stories and lore

These are told as the tradition tells them.

Fuxi looks up and down. The Xici tells how the ancient ruler Baoxi, that is Fuxi, "looked up and contemplated the images in the heavens, looked down and contemplated the patterns on the earth", studied the markings of birds and beasts, and made the eight trigrams. The same Wing names the River Chart and the Luo Writing as models the sages followed; the dotted diagrams that carry those names appear only in the Song.

King Wen in prison. Sima Qian writes that the last Shang king imprisoned the Western Earl at Youli, and that there, "it is said", he expanded the eight trigrams into sixty-four. Later tradition has him writing the hexagram texts in his cell and his son, the Duke of Zhou, the line texts: a Han scheme.

The broken bindings. The Shiji also says that Confucius in old age loved the Changes and read his bamboo copy until its leather bindings broke three times. The Analects has him ask for a few more years to study the Changes at fifty, in a sentence whose key character another early text read as "also", which removes the book from it.

The recluse of Luoyang. Shao Yong refused office and lived at Luoyang in a house he called the Nest of Peace and Joy; he fitted all history into cycles of 129,600 years, and taught that one should observe things from the standpoint of things. Already in the Song he had a name for foreknowledge, and the Song History adds that people later credited him with predictions made after the event, which he "probably did not make".

The plum blossom and the sparrows. The book's first case: in a 辰 year, on the seventeenth day of the twelfth month, in the 申 hour, Master Kangjie, that is Shao Yong, was looking at plum blossom and saw two sparrows fighting over a branch and falling to the ground. He counted 5 for the year, 12 and 17 for the month and day, 34 in all: 兌 above. With 9 for the hour he had 43: 離 below. 43 on 6 left 1, the first line, so 49 革 Gé became 31 咸 Xián. And he told, the book says, how the next evening a girl picking blossom would be chased off by the gardener and fall. The method is attributed to him; the book was compiled long after his death, and the story is its legend.

Bouvet's letter. In February 1701 Leibniz explained his binary numbers to the Jesuit Joachim Bouvet in Beijing. Bouvet wrote back on 4 November 1701 that the figures of Fuxi were the same thing, and enclosed a woodcut of Shao Yong's circle and square. The letter reached Hanover in April 1703.

Jung's casts. Writing his foreword in Zurich in 1949, Jung asked the oracle what it thought of being introduced to the West, drew hexagram 50, the Cauldron, and then 29, and framed it all in his idea of synchronicity.

Wilhelm and Lao Naixuan. Richard Wilhelm, a missionary in Qingdao, translated the book with the scholar Lao Naixuan, leaning on the Song readings of Cheng Yi and Zhu Xi. His German of 1924, through Baynes and Jung, became the I Ching of the English-speaking world.

Evidence and criticism

What the text was. Since Shaughnessy's dissertation of 1983 and Kunst's of 1985, scholars read the Zhouyi as a Western Zhou divination record, compiled in the late 9th century BCE, without a moral philosophy of its own; the moral and cosmic reading came with the Wings. Rutt's translation of 1996 reads it that way, without the later commentary.

The manuscripts. The Mawangdui copy shows a different order and variant names; the Fuyang copy shows the text used with stock divination formulas; the Shanghai strips show a stable text with marks no one has explained. Together they show a book in use and still varying in the 3rd and 2nd centuries BCE.

The attributions. Ouyang Xiu rejected Confucius' authorship of the Wings in the 11th century, Qing scholars and modern sinologists finished the work, and reference works now treat the four sages as legend.

Shao Yong's name on the Plum Blossom book. The book repeats Zhu Xi's trigram verse, written in 1188 or later; its preface is dated to a year that did not exist; it names a Ming minister among its transmitters; the first author to mention it is Ming. The Song History's life of Shao Yong does not list it, and the Qing imperial catalogue does not list it at all. The method is his in name.

The binary question. Leibniz had binary arithmetic by 1679 and saw in 1703 that Shao Yong's arrangement matches it. Ryan finds no binary number system in China and argues that Shao Yong grasped the doubling without the arithmetic; Maitre argues the diagram is binary in form though built the other way round. Both agree it is Shao Yong's arrangement, not an ancient code.

The birth hexagram. No study tests the lifetime cast, and none is likely to: it has 64 hexagrams times 6 lines as outcomes, fixed by the calendar, so everyone born in the same lunar day and double hour shares one. Experienced readers on the Clarity forum are divided on it, and the site's founder doubts that it adds anything to asking the oracle in the ordinary way.

Arguments within the tradition. The Wings' moral reading against the diviners' use; the Han image-and-number schools against Wang Bi's reading by meaning; Zhu Xi's return to the book as an oracle anyone could consult; the Qing cataloguers' distrust of number books under Shao Yong's name; and today, practitioners' arguments over the start of the year and the stem against the branch.

What we can check. Only that we apply the rule as written, and as independent tools apply it: 56 of 56 timed test births agree. That is a check of the arithmetic.

Rights and names. The Chinese text, the Plum Blossom book, Legge's translation of 1882 and Wilhelm's German are public domain, so we quote them, briefly and credited. The English of Wilhelm and Baynes is in copyright: registered in 1950 and renewed in 1977. Single titles are short phrases, which copyright does not protect, but the sixty-four as a set belong to that translation, so our titles are our own and theirs appear one at a time, labelled: for hexagram 1, "Wilhelm/Baynes: The Creative". Our earlier pages gave their titles as the translation, and those pages are gone. The names of the hexagram characters in the Unicode standard follow those titles closely; we use only the characters. Human Design and Gene Keys are named as other systems, with their notices below.

Terms

Hexagram (卦)
A figure of six lines, each whole (yang) or broken (yin), read from the bottom up. There are sixty-four, each with a name and a text in the Zhouyi.
Trigram
A figure of three lines; there are eight. Every hexagram is a lower trigram, called inner, under an upper one, called outer. Named here 乾 Qián Heaven, 兌 Duì Lake, 離 Lí Fire, 震 Zhèn Thunder, 巽 Xùn Wind, 坎 Kǎn Water, 艮 Gèn Mountain, 坤 Kūn Earth.
Earlier Heaven order (先天)
Shao Yong's numbering of the trigrams, 乾 1, 兌 2, 離 3, 震 4, 巽 5, 坎 6, 艮 7, 坤 8, traditionally credited to Fuxi. The Plum Blossom method counts by it.
King Wen order
The received order of the sixty-four hexagrams, by which they are numbered 1 to 64. Its age and author are unknown; the name is the tradition's.
Line names
Lines are counted 1 to 6 from the bottom. The text names each by its place and nature: 初九 for a yang first line, 六二 for a yin second line, nine standing for yang and six for yin.
Moving line (動爻)
The line in motion. In a Plum Blossom time cast there is exactly one; it flips to give the transformed hexagram.
Transformed hexagram (變卦, 之卦)
The hexagram the figure becomes when its moving line flips: where the motion leads.
Nuclear hexagram (互卦)
The hexagram within: lines 2, 3 and 4 as its lower trigram and 3, 4 and 5 as its upper.
Inverse and opposite
The inverse (綜卦) is the figure turned upside down; the opposite (錯卦) has every line flipped.
King Wen pair
The hexagram each one is paired with in the received order: 1 with 2, 3 with 4 and so on. The pair is the inverse for 56 hexagrams and the opposite for the 8 that read the same upside down.
Judgment, Image, line text
The hexagram statement (卦辭), the Wings' one-sentence reading of the two trigrams (大象, the Great Image), and the statement for each line (爻辭).
Ten Wings (十翼)
The commentaries bound with the Zhouyi: the Tuan, the Xiang and the Xici in two parts each, the Wenyan, Shuogua, Xugua and Zagua. Written by later hands, though tradition credited Confucius.
Plum Blossom method (梅花易數)
A way of casting a hexagram from numbers, the time of day among them, set out in a book compiled in the Ming period under Shao Yong's name.
Lifetime cast (終身卦)
The calculators' name for the Plum Blossom time rule applied to a birth. The book itself does not use the term.
Birth hexagram
Our name for the result. We do not call it natal, a word that reads as astrology, nor attach King Wen's name to it, as some websites do: the King Wen number is only the numbering.
Double hour (時辰)
One of the twelve two-hour periods named by the Earthly Branches, from 子 (23:00 to 00:59) to 亥 (21:00 to 22:59).

Sample reading

Sample reading, AI-written for a fictional person.

Read the sample (1,191 words)

AI output can be wrong.

Jason, your birth figure is Hexagram 20, 觀 Guān, Looking Out: earth below, wind above, cast on the twelfth day of the twelfth lunar month of the 戊辰 Dragon year, in the 戌 hour. Its fourth line is the one in motion, the yielding minister near the throne, and that movement turns the figure into Hexagram 12, 否 Pǐ, Blockage, while Hexagram 23, 剝 Bō, Stripping Away, sits hidden inside it.

You are the one who watches, and the one who is watched

The character 觀 means to look and also to be looked at. The tradition pictures a tower that overlooks a landscape and is seen from every part of it. That doubleness is the first thing to understand about how you live. You take in a room as a whole before you take in any one person in it. You register moods, alliances, the small shifts in who is speaking to whom. You are also, more often than you would like, the person others are quietly reading for cues.

The structure of the figure shows this plainly. Two strong lines sit at the top, and four yielding lines sit beneath them, looking up. Your gaze has height. People feel surveyed by you even when you are only paying attention. This can make you seem older than your years, or more composed than you feel.

The lower trigram is 坤 Kūn, earth. The tradition gives it the attribute of docility and the role of the mother, the belly and the ox. Beneath your watching lies something receptive and patient that absorbs before it answers. The upper trigram is 巽 Xùn, wind, the eldest daughter, whose attribute is penetration. Wind touches everything and settles nowhere. Your influence works this way. It is pervasive, gradual and hard to trace back to you. You rarely win an argument outright. Three weeks later, people are simply using your framing.

Here is a moment you will recognise. You have drafted the message, the one that tells someone what you really think. You read it again. You wait. You do not send it yet. That pause is the Judgment of this hexagram almost exactly: the worshipper who has washed and stands in reverence before the offering is made. The tradition reads that pause as the whole point. The sincerity of the waiting is what others see, and it is enough. You have likely been told you hesitate too much. In your own figure the hesitation is the ritual itself.

Influence that works through tact, not force

Your moving line is 六四, a yielding line in the fourth place, the minister standing close to the ruler. The tradition calls it the right line in the right place: soft where softness belongs, near power without holding it. You do your best work as an adviser, interpreter or trusted second. You can sit beside authority and shape it without anyone, including the authority, feeling managed.

This line is the only place in your figure that is in motion. It is where your life keeps returning to work something out. The question it asks over and over is how close to stand. Stand too far away and your attention is wasted on people who never hear it. Stand close enough and your tact becomes the hinge on which other people's decisions turn. You know the strange intimacy of being the person a stronger figure confides in. You know how much you hear that you never repeat.

The Image adds a discipline. The ancient kings travelled, surveyed the regions and observed the people, and only then set forth their instruction. Your authority, when it comes, is earned by having looked longer than anyone else. Instruction that skips the looking will feel hollow to you, even when it is correct.

When the yielding line hardens, the channel closes

When that fourth line moves, the soft line becomes firm. Wind above turns into 乾 Qián, heaven, and the figure becomes Blockage: heaven rising away, earth sinking away, two trigrams that no longer touch. The tradition reads it as a time when good words find no hearing, when the great departs and the small arrives, and even the upright gain nothing.

The tradition does not read this as a destination or a verdict. It reads it as where your motion leads when it goes unexamined, and the pattern is precise. Your gift is the soft minister's tact. The danger is the moment that softness stiffens into certainty, when you stop being the attentive one beside the throne and start acting as if you were the throne. Picture the meeting where you have watched long enough to be sure you are right, and you say so with the full weight of heaven behind it. The room goes politely silent. Nothing you say afterward lands. You were not wrong. The channel closed because you stopped yielding while you spoke.

There is a second form of the same blockage. You withdraw. You decide no one is listening, so you stop offering anything, and you mistake that silence for dignity. The Image of Hexagram 12 does counsel holding back your worth and waiting out the season. It counsels this for a season, not as a temperament. Your trap is to let a closed season harden into a closed life, still watching from the tower with nothing coming down from it.

What erodes underneath, and what it leaves

Inside Looking Out sits Stripping Away: a mountain wearing down to the plain, five yielding lines and one strong line left at the very top. The line texts picture a bed broken away from its legs upward. This is the hidden grain of your figure, and it explains a particular tiredness you may know well. Being the steady observer costs something. You hold your composure while support thins out beneath it. One day you notice that you are the last firm thing in a situation, and no one has noticed you are carrying it.

The Judgment of Hexagram 23 is blunt: no movement in any direction helps while the stripping is underway. Its Image offers a sharper lesson, aimed squarely at the person on top. Those above keep their position secure only by strengthening those below them. Your tower stands on the earth of your lower trigram. When you neglect the people, habits and quiet foundations beneath your vantage point, the erosion begins at the legs of the bed.

There is a mercy in this hexagram too. Its top line is a large fruit left uneaten, the seed of the return that follows. When everything has worn down, something of you is not consumed. Through stripping, your figure keeps what is essential and lets go of what was only scaffolding.

A practical note

Before you give anyone your judgment this week, whether a colleague, a friend or a family member, ask them one more question than feels necessary, and listen to the whole answer. Then, if you still have something to say, say it as a suggestion rather than a ruling. That small act keeps your fourth line soft, keeps wind moving over the earth instead of heaven drawing away from it, and keeps your offering one that can still be received.

Sources

Primary texts (18)
  1. 周易 (Zhouyi), the received Chinese text of the hexagram and line statements with the Ten Wings. ctext.org/book-of-changes
  2. James Legge (trans.), The Yî King, Sacred Books of the East XVI. Oxford: Clarendon Press, 1882. Public domain; quoted briefly and credited. en.wikisource.org/wiki/Sacred_Books_of_the_East/Volume_16
  3. The same, the 1882 Oxford edition scanned (archive.org), for hexagrams 33 to 64 and the appendices. archive.org/details/sacredbooksofchi16conf
  4. 梅花易數 (Meihua yishu, the Plum Blossom method), attributed to Shao Yong, book 1: the time rule, the trigram numbers and phases, and the casts of the plum blossom and the peonies. zh.wikisource.org/wiki/梅花易數/卷一
  5. 梅花易數, the received preface and the appendix: the Song History's life of Shao Yong and the sayings of Xie Liangzuo and Ji Ben. zh.wikisource.org/wiki/梅花易數
  6. 京氏易傳 (Jingshi yizhuan), attributed to Jing Fang, three books. zh.wikisource.org/wiki/京氏易傳
  7. 司馬遷, 史記 (Shiji), chapters 4 and 47 (about 91 BCE). zh.wikisource.org/wiki/史記/卷004
  8. 班固, 漢書 藝文志 (Hanshu, the treatise on literature, about 100 CE). zh.wikisource.org/wiki/漢書/卷030
  9. 論語 (Analects), 7.17. zh.wikisource.org/wiki/論語/述而第七
  10. 歐陽修, 易童子問 (Questions of a Youth on the Changes, about 1050). zh.wikisource.org/wiki/易童子問
  11. 四庫全書總目提要 (the imperial catalogue, 1782), the divination sections, books 108 to 111. zh.wikisource.org/wiki/四庫全書總目提要/卷111
  12. 河洛理數 (Heluo lishu), the Chongzhen-era edition with a preface of 1632, from library catalogue records. kloss.sourcelibrary.org/book/harak-isu-chen/overview
  13. G. W. Leibniz, "Explication de l'arithmétique binaire", Mémoires de l'Académie royale des sciences for 1703 (printed 1705). Dates from the letter list and secondary accounts.
  14. Richard Wilhelm, I Ging: Das Buch der Wandlungen. Jena: Diederichs, 1924. Public domain since 2001. de.wikipedia.org/wiki/I_Ging
  15. The I Ching or Book of Changes, the Wilhelm translation rendered into English by Cary F. Baynes, with a foreword by C. G. Jung. New York: Pantheon, 1950; Princeton, 1967. In copyright; facts only.
  16. Catalog of Copyright Entries, 1977 renewals, R673507 (The I Ching; or, Book of changes), in the New York Public Library's transcription. github.com/NYPL/cce-renewals
  17. U.S. Copyright Office, Circular 33, Works Not Protected by Copyright. copyright.gov/circs/circ33.pdf
  18. The Unicode Standard, Yijing Hexagram Symbols, U+4DC0 to U+4DFF. unicode.org/charts/PDF/U4DC0.pdf
Studies and other sources (41)
  1. Edward L. Shaughnessy, "I ching (Chou i)", in Michael Loewe (ed.), Early Chinese Texts: A Bibliographical Guide. Berkeley, 1993.
  2. Joseph A. Adler, "Zhu Xi's Reading of the Yijing". www2.kenyon.edu/Depts/Religion/Fac/Adler/Writings/Zhu%20Xi%20and%20Yi.pdf
  3. Joseph A. Adler, review of John Minford's I Ching (2014). www2.kenyon.edu/Depts/Religion/Fac/Adler/Writings/Minford%20-%20Yijing.pdf
  4. Edward L. Shaughnessy, Unearthing the Changes: Recently Discovered Manuscripts of the Yi Jing. New York: Columbia University Press, 2014 (catalogue and reviews).
  5. Edward L. Shaughnessy, "A First Reading of the Shanghai Museum Bamboo-Strip Manuscript of the Zhou Yi", Early China 30 (2005). cambridge.org/core/journals/early-china/article/first-reading-of-the-shanghai-museum-bamboostrip-manuscript-of-the-zhou-yi/E1FFD4F3760FF82FFFB9BB0095D3206A
  6. Edward L. Shaughnessy (trans.), I Ching: The Classic of Changes, the Mawangdui texts. New York: Ballantine, 1996 (catalogue).
  7. Richard A. Kunst, The Original Yijing, PhD dissertation, University of California, Berkeley, 1985 (catalogue).
  8. Richard Rutt, Zhouyi: The Book of Changes. A Bronze Age Document. Richmond: Curzon, 1996 (catalogue).
  9. Geoffrey Redmond and Tze-ki Hon, Teaching the I Ching. Oxford University Press, 2014 (catalogue).
  10. Richard J. Smith, The I Ching: A Biography. Princeton University Press, 2012 (catalogue).
  11. Richard J. Smith, Fathoming the Cosmos and Ordering the World. Charlottesville, 2008 (catalogue).
  12. Bent Nielsen, A Companion to Yi jing Numerology and Cosmology. London: Routledge, 2003 (catalogue).
  13. Anne D. Birdwhistell, Transition to Neo-Confucianism: Shao Yung on Knowledge and Symbols of Reality. Stanford, 1989 (catalogue).
  14. James A. Ryan, "Leibniz' Binary System and Shao Yong's Yijing", Philosophy East and West 46 (1996). jstor.org/stable/1399337
  15. Laurent Maitre, "Is the Fuxi liushisi gua fangwei diagram attributed to Shao Yong binary?", Science in Context (2025). cambridge.org/core/journals/science-in-context/article/abs/is-the-fuxi-liushisi-gua-fangwei-diagram-attributed-to-shao-yong-binary-clarifying-a-consequence-of-its-analogy-with-the-binary-arithmetic-of-leibniz/9BA1DB9CFF13D5BEADCAF8FF954108AC
  16. The Leibniz-Bouvet Correspondence, fifteen letters, 1697 to 1707, translated and annotated. archive.swarthmore.edu/leibniz-bouvet/index.html
  17. 《梅花易數》非邵雍所作 (the case that the Plum Blossom text is not Shao Yong's), as reproduced in a reader's review. book.douban.com/review/14840804
  18. 孔子學《易》考論 (on Confucius' study of the Changes), part I. aisixiang.com/data/19646.html
  19. "Chen Tuan", Daoist Studies encyclopaedia. en.daoinfo.org/wiki/Chen_Tuan
  20. "Huangji jingshi shu", ChinaKnowledge.de. chinaknowledge.de/Literature/Daoists/huangjijingshi.html
  21. 消息卦 (the twelve waxing and waning hexagrams), Daoist Studies encyclopaedia (Chinese). zh.daoinfo.org/index.php?title=消息卦
  22. W. K. Chu and W. A. Sherrill, The Astrology of I Ching. New York: Weiser, 1976 (catalogue).
  23. Da Liu, I Ching Numerology. San Francisco: Harper & Row, 1979 (catalogue).
  24. "An error in Da Liu's book I Ching Numerology", yjcn.nl. yjcn.nl/wp/an-error-in-da-lius-book-i-ching-numerology
  25. C. G. Jung, foreword to the Wilhelm/Baynes I Ching (Zurich, 1949). In copyright; facts only.
  26. "I Ching", Wikipedia (orientation only). en.wikipedia.org/wiki/I_Ching
  27. "King Wen sequence", Wikipedia. en.wikipedia.org/wiki/King_Wen_sequence
  28. "Bagua", Wikipedia. en.wikipedia.org/wiki/Bagua
  29. "Hexagram (I Ching)", Wikipedia. en.wikipedia.org/wiki/Hexagram_(I_Ching)
  30. "I Ching divination", Wikipedia. en.wikipedia.org/wiki/I_Ching_divination
  31. "Mawangdui Silk Texts", Wikipedia. en.wikipedia.org/wiki/Mawangdui_Silk_Texts
  32. "Shuanggudui", Wikipedia. en.wikipedia.org/wiki/Shuanggudui
  33. 河圖洛書 (the section on the 河洛理數) and 史應選, Chinese Wikipedia. zh.wikipedia.org/wiki/河圖洛書
  34. 恒修居 梅花易數 calculator (meihua.guoxueju.com), its time-cast and lifetime-cast pages. meihua.guoxueju.com
  35. 易運盤 梅花易數 calculator (yiyunpan.cn), lunar, solar and lifetime modes. yiyunpan.cn/meihua
  36. YiMatrix Plum Blossom calculator. yimatrix.com/meihua
  37. HexWave, birth hexagram calculator. hexwave.app/iching/birth-hexagram
  38. 梅花易數 time-cast explainers (zhouyi.cc and others), cited for one author's variant. zhouyi.cc/zhouyi/meihua
  39. "Natal Hexagrams", forum thread, Clarity (onlineclarity.co.uk). onlineclarity.co.uk/friends/showthread.php?15-Natal-Hexagrams=&p=228
  40. lunarcalendar (Python, MIT) and lunar-python / lunar-javascript (MIT), the calendar libraries. github.com/6tail/lunar-python
  41. Jovian Archive, "Gates and hexagrams in Human Design" (cited for the wheel's origin only). jovianarchive.com/pages/gates-and-hexagrams-in-human-design
Our own research (5)
  1. EsoTerrier, I Ching research, 10 to 14 October 2026: the method, the validation (61 births), the variants and the lists.
  2. EsoTerrier calculation engine, the I Ching service and its reference tables (titles, glosses and readings our own).
  3. EsoTerrier, Human Design research, 9 October 2026: the wheel, gate 41 at 2° Aquarius, 5.625° per gate.
  4. EsoTerrier, Gene Keys research, 9 October 2026: the legal and trade-mark report, on which hexagram names are free to use.
  5. EsoTerrier, engine audit of 14 October 2026: the reworded titles, readings and trigram qualities, with the passages each rests on.

By EsoTerrier. Written with AI assistance from our research and checked against its sources; last revised 19 October 2026. How we write these pages.

First published ; last revised . Corrections: support@esoterrier.com.